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This is because what became obvious with students in this college after the introduction of this dress code was the alarming and arrant ways that they began to dress indecently. One is not however surprised because what is typical of most Nigerian administrators is always a wide gap between policy formulation and execution. Indecent dressing even though is not accepted as the normality, is seen to be gaining ascendancy. One then wonders what becomes of the society tomorrow with the caliber of students that are being trained. If rules are made for people, they suppose to be adequately informed why such rules are made. It is for this very reason that this paper attempts to counsel students about the cause and effects of dressing indecently as well as suggests solutions that could remedy the further spread of this immoral act on campuses of learning in Nigeria.

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These professionals can use ride sharing partnerships in order to promote themselves as safe environments after their clients leave their locals inebriated. Furthermore, it is considered by many to be a sign of prestige to have a ride sharing partnership, since it comes close to the traditional idea of a chauffeured service. The paper poses a considerable strength when compared to past studies that analysed the link between ride sharing services and their negative effect on DUI scenarios. Most of these studies were considered as invalid sources of information because they either involved the ride sharing companies in the data analysis, their studies methodological rigor was invalid, or did not solve the presence of cofounding factors. In contrast, Greenwood and Wattal were able to solve these different issues in their paper. A great example of how they went above and beyond in order to validate their methodological rigor was through their several robustness checks, such as count models e.

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Spiegel 2008 argues that it develops the ability to self regulate; Singer and Singer 1990: 10 posit that imaginative play is associated with more positive emotions in children. Other studies have shown how children engaging together in make believe play demonstrate advances in recognizing others thoughts, or in differentiating fantasy representations from reality Rosen and Singer, 1997: 1133; Schwebel, Rosen and Singer, 1999: 334. Children engaged together in play in virtual worlds are not involved in make believe play; rather, they are playing games with rules, but these are the rules set by the creators of the virtual world. An illustration of the negative effects of the lack of pretend play was made by Wulff 1985: 141, who finds that autistic children have severe early deprivations in symbolic play. Harris 2000: 6 states that the study of early pathology shows that it is the absence of early imagination, and not its presence, that is pathological. He continues, stating that ne of the major characteristics of the syndrome of early childhood autism is an absence or impoverishment of pretend play The long term social and cognitive restriction of people with autism suggest that the capacity for pretence is an important foundation for lifelong normality ibid. The imagination, the ability to think symbolically, and therefore the development of normal cognition are all closely linked. This can clearly be seen in children who have serious deficits in symbolic thinking and cannot engage in symbolic or pretend play, as occurs in children who are on the severe end of the autism spectrum. Children playing in virtual worlds might, therefore, interact with the virtual world as though they are engaged in make believe play, while they are really engaged in rule bound play. We argue that this interaction with the game removes the benefits children would otherwise receive from their play.

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Furthermore, it is assumed that the crowdfunding campaign and production happen sequentially, which could in fact also happen simultaneously. This is important, as this may influence the decision to release the product as fixed costs may already been incurred. As releasing may just be a reason to recover these fixed costs, the control variable production phase is being taken into account by using Kickstarters estimated delivery of rewards as a proxy. Also, the author controlled for genre, as some genres have different commercial appeals. Furthermore, project quality is being taken into account as presence of video and high text quality signals the effort an entrepreneur has taken to release the product. After analyzing all the variables, all four variables total collected, supporters, pledged ratio and average collected are statistically significant and thus imply that informational mechanism effect the release of new products in a crowdfunding context. Furthermore, probability on product release is calculated when the number of supporters is increased by 10%. Overall, an increase of 10% leads to 1. 4 percentage point of probability increase of releasing the product to the market. However, between the variables, this increase in probability differs, suggesting that each type of information adds differently to the total information mechanism. The strength of the paper is the robustness of the findings as results are controlled by various control variables specific to the production of music.